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domain was triggered too early. This is usually an indicator for some code in the plugin or theme running too early. Translations should be loaded at the init
action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /home4/deityhip/mayapurdivinethreads.com/wp-includes/functions.php on line 6114[vc_row][vc_column][vc_column_text css=””]In the spiritual realm of Krishna consciousness, beauty isn’t just an aesthetic pursuit, it’s a path to deeper connection with the Lord. Srila Prabhupada, beautifully captured this sentiment when He wrote,<\/p>\n
\u201cDecorate the deity as nicely as possible, with nice flowers and dress. You will forget all other false beauty.\u201d<\/p>\n
Srila Prabhupada, Letter to Kirtananda, 22 October, 1968.<\/p>\n
These words transcend mere decoration, revealing the profound impact of adorning deities. It’s a practice that weaves threads of devotion, meticulous artistry, and an offering of love to the Lord.
\nThis outpouring of devotion manifests in exquisite ways, and a particularly captivating example lies in the art of Aari and Zardosi embroidery. These age-old techniques breathe life into the fabrics adorning deities, transforming them into stunning expressions of faith. Aari and Zardosi embroidery are the silent prayers whispered with every pull of the needle, each shimmering bead a testament to the devotion that flows from the artisan’s heart.[\/vc_column_text][vc_custom_heading text=”A Brief History of Aari Thread Work” css=””][vc_column_text css=””]Aari is a form of embroidery with deep roots in Indian history. Originating in the western state of Gujarat around the 12th century, it was initially employed by leather workers to embellish footwear. The art form gained significant prominence during the Mughal era, when it was primarily practiced by male artisans. Under the patronage of Mughal emperors, Aari flourished, incorporating exquisite designs inspired by the grandeur of Mughal gardens and architecture.<\/p>\n
During the 17th century, Aari embroidery evolved as India engaged in trade with China and England. This period witnessed a fascinating blend of oriental and European motifs in royal garments. Today, Aari continues to be a cherished art form, synonymous with luxury and elegance.[\/vc_column_text][vc_custom_heading text=”A Brief History of Zardozi” css=””][vc_column_text css=””]Zardozi, a resplendent form of embroidery, traces its origins to Persia. Introduced to India during the 16th century, it quickly became synonymous with opulence and royalty. The Mughal era marked a golden age for Zardozi, with emperors like Akbar being ardent patrons. The art form adorned not only royal attire but also palatial interiors, horse trappings, and even weaponry.<\/p>\n
Initially crafted with pure gold and silver threads, Zardozi was a privilege reserved for the elite.
\nHowever, the advent of industrialization posed challenges to the craft. Post-independence, efforts to revive traditional arts brought Zardozi back into the limelight. Today, while the use of precious metals has been replaced by more affordable alternatives, the artistry and intricacy of Zardozi continue to captivate.<\/p>\n
Cities like Lucknow, Hyderabad, and Bhopal are renowned for their Zardozi craftsmanship. This exquisite form of embroidery remains an integral part of India’s cultural heritage, adding a touch of regal splendor to contemporary fashion.<\/p>\n
To maintain sustainable and affordable pricing, the MDT team opted to utilize an embroidery style called Dabka, that gives the same effect as Zardosi maintaining its regal splendor and intricacy, but allows for quicker work and lightweight dresses. Originating in the Middle East, Dabka work is a striking form of embroidery that adds a bold and contemporary touch to garments. This technique involves creating intricate geometric patterns by overlapping and interlacing colorful threads. Dabka’s distinctive style is often seen adorning bridal wear, shawls, and other formal attire, lending a luxurious and eye-catching appeal. A felicitous example of this embroidery style can be seen in the spectacular outfit made for the ISKCON London deities, to know more you can watch the video below!<\/p>\n
Mayapur Divine Threads. (2023a, March 22). Umaraha | A princely outfit | ISKCON London<\/p>\n